Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) [Bop]; FLAC (tracks+.cue)

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Mike1985
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Charlie Parker Quintet & Sextet - Bird In Boston: Live At The Hi-Hat 1953-1954 (2016) [Bop]; FLAC (tracks+.cue)

Unread postby Mike1985 » 08 Jan 2017, 07:22


Artist: Charlie Parker Quintet & Sextet
Album: Bird In Boston: Live At The Hi-Hat 1953-1954
Genre: Bop
Label: Fresh Sound Records
Released: 2016
Quality: FLAC (tracks+.cue)
Tracklist:
    CD 1:
  1. Opening Announcements By SST And Bird (0:40)
  2. Cool Blues (5:38)
  3. Scrapple From The Apple (7:11)
  4. SST Introduces The Members Of The Band (0:57)
  5. Laura (6:34)
  6. SST Talks To Bird Introduces The Next Tune (0:53)
  7. Cheryl (5:44)
  8. Ornithology (6:23)
  9. 52nd Street And Closing Announcements (1:29)
  10. SST Introduces Bird (0:10)
  11. Ornithology (7:47)
  12. SST And Bird Introduce The Next Number (0:30)
  13. My Little Suede Shoes (7:09)
  14. Bird Introduces The Next Tune (0:28)
  15. Now's The Time (6:58)
  16. Groovin' High (6:06)

    CD 2:
  1. Cool Blues (6:47)
  2. Out Of Nowhere (5:43)
  3. My Funny Valentine (6:33)
  4. Ornithology (4:58)
  5. Cool Blues (6:10)
  6. My Little Suede Shoes (6:02)
  7. Bird Talks To SST (1:02)
  8. Ornithology (7:35)
  9. SST Introduces The Hi-Hat All Stars And Talks To Bird (1:22)
  10. Out Of Nowhere (4:23)
  11. Jumpin' With Symphony Syd And Closing Announcements By SST (2:34)
  12. Now's The Time (9:13)
  13. SST And Bird Introduce The Hi-Hat All Stars (0:51)
  14. Out Of Nowhere (5:48)
  15. My Little Suede Shoes (5:01)
  16. Jumpin' With Symphony Sid And Closing Announcements By SST (1:09)

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For over two decades, the Hi-Hat Club occupied a choice location among the jazz clubs of Boston’s South End district, at the corner of Columbus and Massachusetts Avenue. After the end of World War II, lesser luminaries took over the band-stand, and after a while entertainment practically stopped altogether.

Dave Coleman, a jazz promoter, had taken over management of the club in 1949. Through Coleman’s personal initiative, the Hi-Hat enjoyed its most successful years, and by 1951 it was the only club featuring a consistent policy of presenting modern jazz.

Between 1953 and 1954 Charlie Parker made several visits to Boston, where he was often hired to play as a “single” at the Hi-Hat, backed by local musicians. The performances contained in these two albums come from radio broadcasts emceed by famed disc-jockey “Symphony Sid” (Sid Torin), duplicating here his New York role from the control booth inside the Hi-Hat for his nightly radio show on WCOP.

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