FileCat premium

George Lewis and His Ragtime Band - Jazz At Vespers (1954/1992) [Dixieland, New Orleans Jazz]; FLAC (tracks+.cue)

Ragtime, Dixieland, Big Band, New Orleans Jazz, Jump Blues, Neo-Swing
User avatar
Mike1985
Uploader
Posts: 71576
Joined: 24 Jan 2016, 16:51

George Lewis and His Ragtime Band - Jazz At Vespers (1954/1992) [Dixieland, New Orleans Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 01 Dec 2016, 06:28


Artist: George Lewis and His Ragtime Band
Album: Jazz At Vespers
Genre: Dixieland, New Orleans Jazz
Label: Riverside/Fantasy/OJC
Released: 1954/1992
Quality: FLAC (tracks+.cue)
Tracklist:
  1. Just A Little While To Stay Here (5:16)
  2. Bye And Bye (7:12)
  3. The Old Rugged Cross (5:00)
  4. Sometimes My Burden Is Hard To Bear (2:21)
  5. Down By The Riverside (5:02)
  6. Just A Closer Walk With Thee (6:20)
  7. Lord, You've Been Good To Me (3:39)
  8. When The Saints Go Marching In (6:50)

DOWNLOAD FROM FILECAT.NET >>>

    Personnel:
  • George Lewis - clarinet
  • Avery "Kid" Howard - trumpet
  • Jim Robinson - trombone
  • Alton Purnell - piano
  • Lawrence Marrero - banjo
  • Alcide "Slow Drag" Pavageau - bass
  • Joe Watkins - drums

The recording captures Lewis's ensemble perhaps at zenith. "Jazz at Vespers" is one of the key albums in the George Lewis canon. It was recorded during a Vespers service in 1954 at Holy Trinity Episcopal Church in Oxford Ohio. This was the church of Rev. Alvin Kershaw, a jazz enthusiast who was one of the first to use jazz bands as part of a service. George Lewis was at his best playing spirituals, his clarinet gentle and introspective, weaving inside the melodies like a white dove. The band backed him sensitively.Highly recommended. Clean, clear recordings.
This was the band that had such a powerful impact upon the English trad jazz scene (which in many ways remains more organized and vibrant than the trad jazz community in the US). Monty Sunshine, Acker Bilk, Terry Lightfoot, and countless others imitated and learned from George Lewis, branching out creatively into their own styles afterwards; a young Ringo Starr heard the band and was awed by Joe Watkins's drumming (and once you hear Watkins, you can hear how deeply it impacted the future Beatle). The root of all this music is the spiritual, and the specific depth of uniting human emotion to praise and lamentation, communally. There are few recordings as important as this in jazz history. It does not feature virtuoso playing; it is pure ensemble. It's also something every jazz musician should experience and study.

Return to “Early Jazz, Swing, Gypsy (lossless - FLAC, APE, etc.)”