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Mike Cuozzo - Mighty Mike (1955/1993) [Mainstream Jazz]; FLAC (tracks+.cue)

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Mike1985
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Mike Cuozzo - Mighty Mike (1955/1993) [Mainstream Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 07 Jun 2017, 07:14


Artist: Mike Cuozzo
Album: Mighty Mike
Genre: Mainstream Jazz
Label: Savoy Jazz/Nippon Columbia
Released: 1955/1993
Quality: FLAC (tracks+.cue)
Tracklist:
  1. There Will Never Be Another You (3:57)
  2. What Is This Thing Called Love (4:48)
  3. Nancy (4:53)
  4. Walk Up (5:12)
  5. An Evening At Papa Joe's (9:34)
  6. Undersided (6:14)

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    Personnel:
  • Mike Cuozzo - tenor saxophone
  • Eddie Costa - vibes
  • Ronnie Ball - piano
  • Vinnie Burke - bass
  • Kenny Clarke - drums

Recorded in 1955, originally issued on LP then reissued by the Japanese label Denon in 1995, and now made available on a digitally remastered CD, Mighty Mike was the tenorman's first album as a leader. It's a set that shows a bit of stylistic ambivalence as Cuozzo and the group find themselves moving between bop and mainstream jazz. The cut that best captures the musical philosophy of this group is "Underside," an original by Ronnie Ball. If there is such a thing as polite bop, this track is it. There's nothing frenetic or groundbreaking. Rather, this is relaxed, matter-of-fact approaching cerebral jazz played by more than competent musicians. It's not all that different from early Dave Brubeck Quartet material with vibraphonist Eddie Costa wearing the Paul Desmond mantle, in kind of a tongue-in-cheek manner. Keeping one foot in the mainstream, Cuozzo shows his indebtedness to Coleman Hawkins in the melody line improvising on "Nancy" as Ronnie Ball works sparse approach to the piano. Cuozzo and friends swing mightily as they romp with an upbeat "There Will Never Be Another You." Another attraction that makes this CD worth pursuing is the presence of Kenny "Klook" Clarke, a pioneer in the modern school of drumming. Here his use of the bass and snare provide a rhythmic cushion in support of Cuozzo's and Costa's extemporizing. This was an LP well worth reissuing as a CD as it ranks among the best of a tenor player who never quite lived up to expectations. It also is a valuable reminder that Eddie Costa was a far more talented vibes player than given credit for by the public. Recommended.
Review by Dave Nathan

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