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Mike Garson - Mike Garson's Jazz Hat (2008) [Post-Bop / Contemporary Jazz]; FLAC (image+.cue)

Hard Bop, Post-Bop, Neo-Bop
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Mike1985
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Mike Garson - Mike Garson's Jazz Hat (2008) [Post-Bop / Contemporary Jazz]; FLAC (image+.cue)

Unread postby Mike1985 » 14 Feb 2018, 13:19


Artist: Mike Garson
Album: Mike Garson's Jazz Hat
Genre: Post-Bop / Contemporary Jazz
Label: Reference Recordings
Released: 2008
Quality: FLAC (image+.cue)
Tracklist:
  1. Rumble
  2. All Blues
  3. It's You Or No One
  4. A Song For You
  5. Waltz For Bill
  6. A Night In Tunisia
  7. A Gershwin Fantasia
  8. Nardis
  9. Count Your Blessings

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What do Freddie Hubbard, Stan Getz, Elvin Jones, Lee Konitz, Stanley Clarke, Eddie Daniels, Joe Farrell, David Bowie, Nine Inch Nails, The Smashing Pumpkins, Gwen Stefani, Seal, the Los Angeles Philharmonic and Martha Reeves (to name a few) have in common? The answer is, Mike Garson has played with them all!.

These have been called “The fastest fingers in jazz.” David Bowie, for whom Garson has long been music director, says, “He’s the best rock & roll pianist I know.” Recording group Free Flight took advantage of his classical training, and Hollywood calls when it needs a virtuoso assoluto. In short, Mike Garson is a phenomenon, able to mimic Bill Evans or Liberace on command, or to soothe an audience with New Age hypnotics. But he’s at his very best wearing his “jazz hat.”

Supported by a stellar cast of Brian Bromberg (acoustic bass), Ralph Humphries (drums) and Eric Marienthal (alto saxophone), Garson turns in a memorable set of originals and imaginative arrangements of standards. Most tracks were previously available on RR-53-—long out of print—plus, for this re-release, we’ve added Garson’s “take no prisoners” improvisation on Gershwin themes—also long out of print. The package is graced by his own computer art. Is there no limit to Garson’s talent?

Everyone at RR thinks this is one of our finest jazz productions. Recorded acoustically at the Oxnard, California, Civic Auditorium, Mike Garson’s Jazz Hat was captured in three-dimensional, high-resolution HDCD sound by RR’s resident guru, “Prof.” Keith Johnson, recipient of seven GRAMMY® nominations for engineering.

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