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Stephane Wrembel - The Django Experiment III (2018) [Gypsy Jazz]; FLAC (tracks+.cue)

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Mike1985
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Stephane Wrembel - The Django Experiment III (2018) [Gypsy Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 08 Aug 2018, 17:38


Artist: Stephane Wrembel
Album: The Django Experiment III
Genre: Gypsy Jazz
Label: Water Is Life Records
Released: 2018
Quality: FLAC (tracks+.cue)
Tracklist:
  1. Les flots du Danube
  2. Mélodie au crepuscule
  3. Fate
  4. Manoir de mes rêves
  5. Swing Gitan / Apocalypse
  6. Nuages
  7. Flèche d'or
  8. Si tu savais
  9. Indifférence

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    Personnel:
  • Stephane Wrembel - guitar
  • Thor Jensen - guitar
  • Ari Folman-Cohen - bass
  • Nick Anderson - drums
  • Nick Driscoll - saxophone, clarinet

It’s not that Gypsy jazz is amenable to experimentation, Stephane Wrembel seems to be saying with Django Experiment III (on the Water is Life label). Gypsy jazz is experimentation. After all, Django Reinhardt drew on existing music to create something new.

Though this set is heavier on the Experiment than on the Django half of the equation— there are only three tunes by Django and one by his younger brother Joseph here—Wrembel and his band show they can pay straightforward tribute to the master. Like a pot simmering but never boiling over, Django’s “Manoir de mes rêves” maintains a delicate tension, and the balalaika-like rattle of Wrembel’s guitar and Nick Driscoll’s coquettish clarinet enhances the easy swing of the much-covered “Nuages.”

Elsewhere, this album illustrates Django’s legacy unbound. On “Swing Gitan/Apocalypse,” the warp-speed flamenco-style guitars of Wrembel and Thor Jensen spiral in ever tightening circles. A drone like a mu’addhin’s call to prayer sets the guitars on a path like a crackling current climbing a Jacob’s ladder on “Les flots du Danube.” On Reinhardt’s “Flèche d’or,” Wrembel and Jenson’s rattling sweep-picking is bolstered by Driscoll’s trilling and dive-bombing clarinet. The guitarists pass the bebop baton back and forth as they stray into slipknot avant-garde territory.

Throughout, Wrembel stays true to his inspiration by rejecting notions of Gypsy jazz purism. In his hands, Django’s syncopated Sinti swing pulls everything from hard bop to the otherworldly squall of free jazz into its orbit.

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