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Wynton Marsalis & Ellis Marsalis - Joe Cool's Blues (1995) [Post-Bop, Contemporary Jazz]; FLAC (tracks+.cue)

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Mike1985
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Wynton Marsalis & Ellis Marsalis - Joe Cool's Blues (1995) [Post-Bop, Contemporary Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 10 Apr 2019, 14:17


Artist: Wynton Marsalis & Ellis Marsalis
Album: Joe Cool's Blues
Genre: Post-Bop, Contemporary Jazz
Label: Columbia
Released: 1995
Quality: FLAC (tracks+.cue)
Tracklist:
  1. Linus & Lucy (Guaraldi) - 4:41
  2. Buggy Ride (W.Marsalis) - 4:38
  3. Peppermint Patty (Guaraldi) - 3:19
  4. On Peanuts Playground (W.Marsalis) - 4:53
  5. Oh, Good Grief! (Guaraldi) - 4:58
  6. Wright Brothers Rag (W.Marsalis) - 4:43
  7. Charlie Brown (Guaraldi) - 4:25
  8. Little Red-Haired Girl (W.Marsalis) - 4:50
  9. Pebble Beach (Guaraldi) - 4:38
  10. Snoopy & Woodstock (W.Marsalis) - 6:35
  11. Little Birdie (Guaraldi) - 4:24
  12. Why, Charlie Brown (W.Marsalis) - 4:08
  13. Joe Cool's Blues (Snoopy's Return) (W.Marsalis) - 9:29

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    Personnel:
    Wynton Marsalis Septet (selections 1,2,4,6,8,10,12,13):
  • Wynton Marsalis - trumpet
  • Eric Reed - piano
  • Benjamin Wolfe - stand-up bass
  • Wessell Anderson - alto and soprano saxophones
  • Victor Goines - tenor saxophone and clarinet
  • Wycliffe Gordon - trombone
  • Herlin Riley - drums

    Ellis Marsalis Trio (selections 3,5,7,9,11):
  • Ellis Marsalis - piano
  • Reginald Veal - bass
  • Martin Butler - drums

For this CD, Wynton and Ellis Marsalis perform music both old and new that is heard on the Peanuts television specials. Wynton's septet (altoist Wessell Anderson, Victor Goines on tenor, trombonist Wycliffe Gordon, pianist Eric Reed, bassist Benjamin Wolfe, and drummer Herlin Riley in addition to the trumpeter-leader) jam on several of Marsalis' compositions, Ellis Marsalis' trio performs six of Vince Guaraldi's themes and, on "Little Birdie," an all-star group (including three of the Marsalises but not Wynton) back Germaine Bazzle's vocal. The music is reasonably enjoyable but not too substantial, worth getting even if it is not one of Wynton's more significant albums.
Review by Scott Yanow

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