Mike Stern - Discography (1985-2019) [Jazz-Rock, Fusion]; mp3, 320 kbps

[CountryBlues]

Tracklist:

1. Play
2. Small World
3. Outta Town
4. Blue Tone
5. Tipatina's
6. All Heart
7. Frizz
8. Link
9. Goin' Under
10. Big Kids

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Mike Stern is a preeminent guitarist for two key reasons: One, he can play all styles very well and with equal command; and two, he plays very well with all other players. He always shows great respect for those with whom he is playing and gives them each the time and space to develop their musical ideas. Stern displays these two qualities in abundance on Play. Several notable guests join Stern and his core band for this release. Guitarists John Scofield and Bill Frisell and drummer Dennis Chambers each team with Stern on several tracks. If you enjoy straight-ahead jazz, listen to Stern and Scofield on the title track, or mix in Bob Malach's tenor sax on "Outta Town." If you like your guitar music slightly more spacious and lyrical, try Stern and Frisell on the hypnotic "Blue Tone" or the pensive "All Heart." Finally, if you want to turn up the heat and move into some rock/funk-influenced fusion, then check out the groovy "Tipatina's," the bold rocker "Link," or the intensely funky "Big Kids." It is no surprise, based on his other work, that Chambers, in particular, gives the band a kick in the musical pants inspiring bassist Lincoln Goines to enjoy the ride. Play is an outstanding guitar album from the highly accomplished and incredibly versatile Mike Stern.

[CountryBlues]

Tracklist:

1. One World
2. The River
3. Slow Change
4. Wishing Well
5. Still There
6. Spirit
7. What Might Have Been
8. Leni's Smile
9. Way Out East

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Most of Mike Stern's albums have been 100 percent instrumental; as a rule, he doesn't use vocalists because his guitar does all of the "singing." But Voices is an exception a highly engaging and memorable exception. This surprising and totally unexpected effort finds a 48-year-old Stern using wordless vocals in a manner that brings to mind fellow fusion guitarists Pat Metheny and Al DiMeola. Think of Metheny on Letter From Home and Still Life (Talking), or DiMeola on Orange and Blue, and one will know the type of approach that Stern is going for this time. While the wordless vocals that Stern uses on Voices add a lot to the album, his guitar is still the focal point. This isn't the type of project in which the leader brings in an acclaimed jazz singer like Dianne Reeves or Kitty Margolis and features her prominently on standards -- that isn't what he was going for. Ultimately, the vocalists who Stern employs (who include Arto Tuncboyaciyan and Elizabeth Kantomanou) are there to serve and compliment his guitar. If Voices were a cake, the vocalists would be the icing; the album still would have been meaningful even without them, but there's no doubt that they add a lot to it. Voices, which contains some of Stern's most lyrical and melodic playing, is full of world music influences. African and Spanish elements are incorporated, and Brazilian music is an especially strong influence. Going back to the Metheny and DiMeola comparisons, this album's world music influences will inevitably inspire comparisons to similar albums by those fellow fusion guitarists. But Stern is always his own man and his guitar playing never fails to sound distinctive -- Voices is most definitely a Mike Stern session. It's also one of the finest albums in his catalog.

[CountryBlues]

Tracklist:

1. Chatter
2. Silver Lining
3. I Know You
4. Mirage
5. If Only
6. Street Rhyme
7. Avenue B
8. Remember (for Bob Berg)
9. These Times
10. What You Believe
11. Last One Down

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Combine the innovative guitar energy of legendary fusion master Mike Stern with old friends (bassist Richard Bona, drummer Vinnie Colaiuta) and new (saxman Kenny Garrett), and anything is bound to happen. But fans expecting raucous swinging and jamming the whole time may be surprised at the subtle lyricism and exotic explorations that define these times for their hero. Yes, his electric is crackling on the hypnotic opener, "Chatter," but it's in the crazy, exotic context of a Middle Eastern vibe inspired by Pakistani great Nusrat Fateh Ali Khan (look out, Eddie Vedder!). Jim Beard's jumpy piano, Colaiuta's wild, New Orleans groove, and Garrett's swirling lines provide great support. Once Stern and company have the listener's attention, they can become seductive with more intimate affairs like the Joe Zawinul-influenced "Silver Lining," which features an exotic falsetto vocal by Bona, a former Zawinul Syndicate member who also propels the tune with his increasingly muscular basslines. Bona adds the same touch in a gentler way to the lush romance of "I Know You," featuring a soft-spoken harmony line by guest star banjo great Béla Fleck. This sequence of tunes sets the tone of the rest of the disc, which mixes more Khan-flavored gems (the colorful singalong "Mirage," featuring vocals by Elisabeth Kontomanou), soft ballads, and a sexy midtempo funk number that (gasp!) might translate to the smooth jazz format. Another highlight is the punchy bebop number "Remember," dedicated to Stern's longtime collaborator the late Bob Berg. Perhaps the only drawback is having Garrett on hand but only featuring him on three numbers.

[CountryBlues]

Tracklist:

1. Tumble Home
2. Kt
3. Good Question
4. Language
5. We're With You
6. Leni Goes Shopping
7. Roll With It
8. Texas
9. Who Lets The Cats Out
10. All You Need
11. Blue Runway

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More than two decades into his solo career, Mike Stern, on his 13th album as a leader, continues to prove why he's earned so many "Best Jazz Guitarist" honors through the years. Stern's skills are undeniable, and new ideas never fail to materialize when he's at work. But what makes Stern stand out from the pack of virtuosic guitar technicians is that he always insists on letting his, and his support team's, abilities serve the music, not vice versa. On Who Let the Cats Out?, Stern and his well-chosen crew spill out lick upon impressive lick, but they never get so carried away with themselves that they lose sight of the tune's purpose and structure. Grandiosity is never a factor here, although there are dozens of occasions to applaud these musicians' chops. Richard Bona, the Cameroonian bassist, has worked with Stern before, but here he is given an expanded role, appearing on four tracks and contributing his falsetto-style, scat-like vocals to three of them: On "All You Need," one of the prettiest tracks on the record, Bona provides an uplifting sensuality. He also shines on "We're with You," a ballad featuring Stern on acoustic guitar. Devoid of pyrotechnics, this song of support to those hurting utilizes synth-derived orchestration and a mournful, quiet tone to bring home its emotionalism. Drummer Dave Weckl -- who alternates throughout with the excellent Kim Thompson -- is another major pacesetter here: On "Texas," the often-overdriven Weckl restrains himself, his no-frills drums and Me'Shell NdegéOcello's creative bass chasing Stern's skronky slide while Gregoire Maret's harmonica provides the necessary borderland flavor. The title track, a quasi-swing/bop showpiece, finds Stern peeling out some of his most blazing, how'd-he-do-that? riffs and trumpet great Roy Hargrove trying to outdo each other and calling it a draw. Stern's soloing throughout the record is, in fact, ceaselessly imaginative: Whether within a total funk exercise like "Roll with It," which borrows Victor Wooten from the Flecktones for bass duties and spotlights sexy sax from Bob Malach, or the moody ballad "KT," on which Stern's guitar escalates in intensity alongside Jim Beard's soulful organ, Stern finds his place within the song's architecture, then rises several levels above what's required of him to present something unexpected and rewardingly original. Only on "Blue Runway," the eight-and-a-half-minute closer, with Anthony Jackson taking over the bass, do the players allow themselves to approach tediousness. Overextending themselves as they shift into hyperdrive, they turn the piece into a jam for its own sake. An anomaly, it doesn't by any means detract from the album's overall quality, though it does allow it to end on a disappointingly self-absorbed note.

[CountryBlues]

Tracklist:

1. Big Neighborhood
2. 6th Street
3. Reach
4. Song For Pepper
5. Coupe de Ville
6. Bird Blue
7. Moroccan Roll
8. Long Time Gone
9. Check One
10. That's All It Is
11. Hope You Don't Mind

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Like all the legends he ever worked for or with, from Miles Davis to Jaco Pastorius, Billy Cobham to the Brecker Brothers, the five-time Grammy nominee has learned over the course of his 26-year recording career 33 since he got his breakthrough gig with Blood, Sweat & Tears something about the nuanced art of collaboration. Not only does it take a village to make a great, boundary-stretching jazz recording, the wild excursions on his second Heads Up date seem to be shouting, as it actually involves a whole Big Neighborhood. On this diverse 12-track set, whose styles range from blazing jazz fusion to African-tinged exotica and trippy Middle Eastern journeys, Mike Stern invites a few of his pals back who populated his similarly eclectic 2006 label debut Who Let the Cats Out? Especially significant is the renewed invitation extended to Richard Bona, whose rumbling bass and spirited vocalese bring authenticity to the highly spiritual African vibes of "Reach." Looks like Stern's got a little crush on the brilliant young bassist/vocalist Esperanza Spalding, whose voice, he says, knocks him out. Pairing her with drum great Terri Lyne Carrington isn't just a cool, girl-power endeavor. The two have genuine chemistry with the guitarist; "Song for Pepper" drifts dreamily with Spalding's endearing vocalizations, and "Coupe de Ville" darts and swings playfully as Bob Malach's sax and Stern's strings weave through the rhythmic foundation forged by Spalding and Carrington. Finally, Stern swings the door open to a lot of fresh melodic and improvisational ideas via his jazz-rock cohorts Eric Johnson (playing it cool on the moody, soulful "6th Street") and Steve Vai (wailing like crazy on the searing title track). He goes artsier with "jam band godfathers" Medeski, Martin & Wood, who help spin a wild blues-rock web on "Check One" and cool to a simmer on the more pop/rock-oriented "Check One." There's also an appearance by Stern's old friend, Randy Brecker. This is one block party jazz fusion fans won't want to miss in 2009!

[CountryBlues]

Tracklist:

1. AJ
2. Cameroon
3. Out of the Blue
4. As Far As We Know
5. Blues for Al
6. OCD
7. You Never Told Me
8. Half Way Home
9. Light
10. Flipside
11. All Over the Place

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'All Over the Place' by Mike Stern aligns the characteristically diverse and adventurous guitarist with a cadre of brilliant guests, including trumpeter Randy Brecker; saxophonist Kenny Garrett; and drummers Dave Weckl, Keith Carlock and Lionel Cordew. Also on hand is a delegation of high-calibre electric and acoustic bass players: Esperanza Spalding, Richard Bona, Victor Wooten, Anthony Jackson, Dave Holland, Tom Kennedy, Will Lee and Victor Bailey. Since his days with Blood, Sweat & Tears in the mid-1970s, followed by stints with Billy Cobham and Miles Davis' band in the '80s, and a solo career that now spans more than 25 years, guitarist Mike Stern has used his jazz roots as a starting point for exploring a range of alternate territories that include R&B, rock, swing, funk, world music and numerous other regions along the musical topography. The recipient of Guitar Player magazine's Certified Legend Award for 2012, he's an artist who's not afraid to bring numerous styles and ideas - however diverse - into the same place just to see what happens.

[CountryBlues]

Tracklist:

1. Colors
2. Majestic
3. Runaway

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[CountryBlues]

Tracklist:

1. Trip
2. Blueprint
3. Half Crazy
4. Screws
5. Gone
6. Whatchacallit
7. Emilia
8. Hope for That
9. I Believe You
10. Scotch Tape and Glue
11. B Train

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Trip was an album that happened because of Mike Stern's relentless determination to remain Mike Stern. On July 3, 2016, he was hailing a cab when he tripped over some concealed construction debris, broke both arms, and was taken to the hospital. He fractured both humerus bones and was left with significant nerve damage in his right hand, preventing him from accomplishing even the simplest of tasks -- including holding a guitar pick. Following a surgery in which 11 screws were put into his arm, Stern emerged in late October with Chick Corea, playing seated and wearing a black glove outfitted with Velcro attached to a Velcro-fitted pick. A second surgery followed and he gained more control of his nerve-damaged right hand by literally gluing and taping his fingers to a pick. It gradually strengthened his grip, and allowed him to regain his speed and technical precision. The recording of Trip began in January of 2017, six months after the accident. While the title's meaning has a double entendre, some of its song titles "Screws," "Scotch Tape and Glue" also reference his surgical events.

Stern enlisted an all-star cast playing in different configurations, achieving a diversity that even exceeds All Over the Place. The title track with drummer Dennis Chambers, bassist Victor Wooten, keyboardist/album producer Jim Beard, and saxophonist Bob Franceschini is a knotty exercise in rocking jazz-funk fusion with peeling guitar riffs, solos, and fills. There's a Miles Davis lilt to "Blueprint" with Randy Brecker guesting on muted trumpet, while Beard plays B-3 and synths, and Chambers offers his best take on Al Foster. Stern eventually touches on the blues before it winds out. "Half Crazy" is blazing, hard-grooving post-bop, with Beard on piano, swinging tenorist Bill Evans, drummer Lenny White, and Teymur Phell on bass. "Screws" commences slowly and quixotically with Wallace Roney on trumpet and the rest of the rhythm section above, as well as percussionist Arto Tuncboyaciyan. While the melody builds in layers and spirals upwards, Roney and Stern each solo hard, adding limber bluesy funk until they deconstruct it to a fade. Leni Stern adds her ngoni to the West African-tinged "Emilia" with Gio Moretti on wordless vocals hovering above the band's interplay. Stern's ngoni also adds a lithe dimension to the grooving, midtempo ballad "I Believe You." "Hope for That" is another intense, even transcendent fusion jam that bumps into rockist Latin terrain with drummer Dave Weckl driving a mean set of crossbeats. While fleet post-bop governs the hard swinging "Scotch Tape and Glue," with Evans returning on tenor, it is Stern's overdriven playing that sets the tone and controls its flow. Stern even picks up an acoustic guitar for the lovely quartet ballad "Gone," offering a side of himself we seldom hear. Stern may have been proving something to himself on Trip. But what he delivers is a tenacious, heartfelt work of imagination, discipline, technical facility, and pure pleasure.

[CountryBlues]

Tracklist:

1. IT'S GETTING BETTER
2. SPRING FEVER
3. SHADOWS OF THE FALL
4. SUMMERHILL
5. ALL CHILDREN'S LOVE SONG
6. SOMERSAULT
7. UNDER THE SKIN OF THE EARTH

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[CountryBlues]

Tracklist:

1. Fall (Enr En Sept Et Oct 1992 Hollywood)
2. Falling Grace (Enr En Sept Et Oct 1992 Hollywood)
3. Dolphin Dance (Enr En Sept Et Oct 1992 Hollywood)
4. Pinocchio (Enr En Sept Et Oct 1992 Hollywood)
5. Song For Bill & Eddie (Enr En Sept Et Oct 1992 Hollywood)
6. Stella By Starlight (Enr En Sept Et Oct 1992 Hollywood)
7. Pebble Beach (Enr En Sept Et Oct 1992 Hollywood)
8. Relaxin' At Camarillo (Enr En Sept Et Oct 1992 Hollywood)
9. Someday My Prince Will Come (Enr En Sept Et Oct 1992 Hollywood)
10. Twelve Bars For Lieberstraum (Enr En Sept Et Oct 1992 Hollywood)

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