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Yom - Le Silence De L'Exode (2014) [World Fusion, Klezmer Jazz]; FLAC (tracks+.cue)

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Mike1985
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Yom - Le Silence De L'Exode (2014) [World Fusion, Klezmer Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 23 Aug 2020, 09:33


Artist: Yom
Album: Le Silence De L'Exode
Genre: World Fusion, Klezmer Jazz
Label: Buda Musique
Released: 2014
Quality: FLAC (tracks+.cue)
Tracklist:
  1. Le Silence de l'Exode 1 : Ramsès (04:24)
  2. Le Silence de l'Exode 2 : rouge (07:21)
  3. Le Silence de l'Exode 3 : révélation (03:42)
  4. Le Silence de l'Exode 4 : errance (02:56)
  5. Le Silence de l'Exode 5 : chaos (01:57)
  6. Le Silence de l'Exode 6 : sarab (03:08)
  7. Le Silence de l'Exode 7 : l'eau jaillie du rocher (04:24)
  8. Le Silence de l'Exode 8 : Sinaï (06:52)
  9. Le Silence de l'Exode 9 : ivresse (05:25)
  10. Le Silence de l'Exode 10 : solitude 1 (01:57)
  11. Le Silence de l'Exode 11 : mémoires (03:15)
  12. Le Silence de l'Exode 12 : silence (05:51)
  13. Le Silence de l'Exode 13 : solitude 2 (01:10)
  14. Le Silence de l'Exode 14 : Moïse (04:49)

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    Personnel:
  • Yom - clarinets, composition
  • Farid D. - cello
  • Claude Tchamitchian - double bass
  • Bijan Chemirani - zarb, daf, bendir

“Originally commissioned by and performed at the Festival d’Ile de France, Le Silence de l’Exode (The Silence of the Exodus) is a new addition to the list of heterogeneous works regularly performed by the clarinettist Yom. Miles away from the fancy electronic-rock ventures of his Wonder Rabbis, the Exodus of the Jews from Egypt is rendered in acoustic music –a reinvented return to his roots for this committed creative who draws from both Ashkenazy roots and Sephardi sounds to reread the Klezmer tradition. He thus exalts the most mystical accents of the forty-year long wandering in the desert, accompanied by Farid D’s Oriental cello, Claude Tchamitchian’s double bass and Bijan Chemirani’s Iranian percussion (zarb, daf and bendir). Bringing to mind his fiery duet variations with Wang Li, the swift, repetitive whirlwinds of his clarinet are trance inducing. These very dense solos alternate with more restrained and meditative parts. It is the right balance to convey the fears, hopes and unfailing fervour experienced during the Exodus.”
Anne Berthod, Télérama Magazine

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