Hank Crawford - Beauty (2020) [Hard Bop, Soul-Jazz]; FLAC (tracks)

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Hank Crawford - Beauty (2020) [Hard Bop, Soul-Jazz]; FLAC (tracks)

Unread postby Mike1985 » 16 Nov 2020, 13:52

Artist: Hank Crawford
Album: Beauty
Genre: Hard Bop, Soul-Jazz
Label: nagel heyer records
Released: 2020
Quality: FLAC (tracks)
  1. Read 'Em and Weep
  2. Easy Living
  3. Got You on My Mind
  4. Sister Sadie
  5. Me and My Baby
  6. What a Difference a Day Made
  7. Please Send Me Someone to Love
  8. Angel Eyes
  9. Shooby
  10. Blue Stone
  11. Two Years of Torture
  12. Misty
  13. The Story
  14. Save Your Love for Me
  15. Four Five Six
  16. Blues in Bloom
  17. Playmates
  18. Lorelei's Lament
  19. Baby Let Me Hold Your Hand
  20. Dat Dere
  21. Mellow Down
  22. Boo's Tune
  23. Shake a Plenty


With an unmistakable blues wail, full of emotion and poignancy, altoist Hank Crawford bridges the gap between that tradition and that of jazz more completely than any other living horn player. Born in Memphis, Crawford was steeped in the blues tradition from an early age. He began playing piano but switched to alto when his father brought one home from the army. He claims his early influences as Louis Jordan, Earl Bostic, and Johnny Hodges. Crawford hung out with Phineas Newborn, Jr., Booker Little, and George Coleman in high school. Upon graduating, Crawford played in bands fronted by Ike Turner, B.B. King, Junior Parker, and Bobby "Blue" Bland at Memphis' Palace Theater and Club Paradise. In 1958 Crawford went to college in Nashville where he met Ray Charles. Charles hired Crawford originally as a baritone saxophonist. Crawford switched to alto in 1959 and remained with Charles' band -- becoming its musical director -- until 1963. The phrasing and voicings he learned there proved invaluable to him as the hallmark of his own sound. He also wrote and arranged a tune for Charles. The cut, "Sherry," his first for the band, was put on the Live at Newport album. Crawford cut a slew solo albums for Atlantic while with the band, and when he formed his group, he remained with the label until 1970. He signed with Creed Taylor's Kudu in 1971 and cut a series of fusion-y groove jazz dates through 1982. In 1983 he moved to Milestone and returned to form as a premier arranger, soloist, and composer, writing for small bands -- that included guitarist Melvin Sparks, organist Jimmy McGriff, and Dr. John -- as well as large. Crawford has been constantly active since then, as a leader and sideman, recording the best music of his long career.
Thom Jurek

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