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Giovanni Mirabassi Trio - Live at the Blue Note, Tokyo (2010) [Avant-Garde Jazz, Contemporary Jazz]; FLAC (tracks+.cue)

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Mike1985
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Giovanni Mirabassi Trio - Live at the Blue Note, Tokyo (2010) [Avant-Garde Jazz, Contemporary Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 17 Sep 2021, 06:52


Artist: Giovanni Mirabassi Trio
Album: Live at the Blue Note, Tokyo
Genre: Avant-Garde Jazz, Contemporary Jazz
Label: Discograph
Released: 2010
Quality: FLAC (tracks+.cue)
Tracklist:
  1. NY #1 (8:07)
  2. It's Us (8:17)
  3. World Changes (9:27)
  4. Here's the Captain (8:16)
  5. My Broken Heart (3:59)
  6. It Is What It Is (6:56)
  7. Six for Sex (9:55)
  8. Gold and Diamonds (9:43)
  9. World Changes (Radio Edit) (7:21)

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    Personnel:
  • Giovanni Mirabassi - piano
  • Gianluca Renzi - bass
  • Leon Parker - drums

"An exceptionally precise and dynamic sound recording. After the release of the two outstanding albums Terra Furiosa in 2008 and Out of Track, last year, the new album by the same trio recorded between 21st and 23rd April at the Blue Note in Tokyo is a great success. This is first due to the melodic and rhythmic richness of the nine compositions of the CD’s répertoire, displaying in turn pianist Giovanni Mirabassi’s elegiac and lilting style (My broken heart, World changes) and the swing and energy that characterize him (NY#1, It’s us). The rich improvisations with their brilliant internal logic are always followed by poetical undulating efflorescences, which are typical of the pianist’s style.

The success of this new album is also due to the trio itself, in perfect osmosis, with exceptional Leon Parker’s impressively precise drum playing and Gianluca Renzi, who constantly creates bass lines which do not only provide the melodic and rhythmic foundations of the phrasing, but can also approach what can sound like the human voice , when playing solo. This new album of remarkable sound quality which is a legendary characteristic of all CDs under Japanese label Vénus, renders Giovanni Mirabassi’s musical generosity when playing in concert, and certainly has the polished touch of all great classics."

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