Artist: Preservation Hall Jazz Band
Album: A Tuba to Cuba
Genre: Dixieland, New Orleans Jazz, Afro-Cuban Jazz
Label: Sub Pop
Released: 2019
Quality: FLAC (tracks+.cue)
Tracklist:
- Yesteryear (0:50)
- Tumba (3:55)
- I Am (2:52)
- Descarga del Son (Septeto Tipico Oriental) (5:50)
- Keep Your Head Up (Eme Alfonso) (4:46)
- Corazon (3:18)
- Eleggua (Raices Habaneras) (5:37)
- Kreyol (3:43)
- El Manicero (3:52)
- Solitude (3:18)
- Las Palomas (Alejandro Almanares) (1:21)
- Malecon (4:37)
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The soundtrack to the 2019 documentary film A Tuba to Cuba is a vibrant album featuring songs the Preservation Hall Jazz Band recorded while on tour in Cuba and after returning home to New Orleans. Also included are a handful of archival songs recorded by previous incarnations of the storied ensemble. As with many of the group's recent albums, including 2013's That's It! and 2016's So It Is, A Tuba to Cuba showcases the band's abundantly cross-pollinated brand of traditional New Orleans jazz. While the titular tuba, played here by bandleader Ben Jaffe, takes a central role on the album, so do many of the Cuban musical traditions the Preservation Hall encountered on their journey. Several of the songs here -- like the buoyant, handclap-driven "Tumba" and the jubilantly funky "Keep Your Head Up" with vocalist Eme Alfonso -- sound more like impromptu jams, deftly combining Afro-Cuban percussion rhythms with New Orleans Mardi Gras energy. Similarly engaging is the upbeat "I Am," with its ringing trumpet melody line, and the mid-tempo stroll of "Kreyol." Also adding a cross-cultural flavor are vintage archival tracks like Alejandro Almenares' yearning guitar/vocal feature "Las Palomas" from the 1940s and Billie & De De Pierce's jubilant rendition of the traditional Cuban song "La Manicero" (aka "The Peanut Vendor"), which was plucked from the Preservation Hall's own musical vaults. More than just a souvenir of an affectionately captured journey, A Tuba to Cuba is a heartfelt celebration of the richly shared musical heritage that connects New Orleans and Cuba.
Review by Matt Collar