Artist: Gil Melle
Album: The Andromeda Strain, Tome VI, Waterbirds +
Genre: Avant-Garde Jazz, Experimental
Label: Creel Pone
Released: 2022
Quality: FLAC (tracks+.cue)
Tracklist:
- CD 1:
- Wildfire (2:41)
- Hex (4:07)
- Andromeda (2:24)
- Desert Trip (4:16)
- The Piedmont Elegy (2:24)
- Op (2:49)
- Xenogenesis (2:40)
- Strobe Crystal Green (5:01)
- 1971 Percussotron Demo (Bonus Track) (1:07)
The Andromeda Strain (Original Electronic Soundtrack) (Kapp Records LP #KRS 5513, 1971) - Wildfire (2:42)
- Hex (4:06)
- Andromeda (2:24)
- Desert Trip (4:16)
- The Piedmont Elegy (2:24)
- Op (2:50)
- Xenogenesis (2:40)
- Strobe Crystal Green (5:00)
The Andromeda Strain (Original Electronic Soundtrack) (Kapp Records 10" #KRS 5513, 1971)
- CD 2:
- Blue Quasar (15:18)
- Elgin Marble (4:25)
- Man with the Flashlight (11:39)
- Jog Falls Spinning Song (5:56)
Waterbirds (Nocturne LP #NRS 702, 1970) - Waterbirds, Part I (7:37)
- Waterbirds, Part II (6:36)
- Walkin' Down the Gloomy Streets...Alone...Broke...Depressed...Gonna Kill Myself Blues (5:02)
- Little Big Horn (9:22)
- The Love Song (1:31)
- My Sweet Charlie (6:20)
- Charlie Chaplin (4:12)
Tome VI (Verve Records LP #V6-8744, 1968)
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May 2022; due to numerous requests, and in the spirit of celebrating Creel Pone's 17th Anniversary with a bang, here is a completely revised replica edition of this time-tested title, with the original Kapp 10"/LP issue of "The Andromeda Strain" OST augmented with Melle's two other relatable issues of Jazz-Electronics from the vinyl era: "Tome VI" & "Waterbirds" across two discs (plus a short bonus track of a "Demo" of the Percusotron III!)
Creel pone of one of the most legendary Early Electronic music film scores (right up there with Bebe & Louis Barron’s “Forbidden Planet”, Bernard Hermann’s “The Day The Earth Stood Still”, and Oskar Sala’s Trautonium sound design for Hitchcock’s “The Birds”) - mainly due to the scarcity & production values of the original release: a Hexagonal 10” record housed in a six-fold flap-system affixed to the cover of a metallic 12” sleeve which opens up to reveal a set of photos from the film & the liner notes.
All well & good, but the attraction for me to this suite of pieces by jazz composer Gil Mellé has always been the bizarre invented electronic instrumentation (like the Percussotron III - a primitive drum machine) and lo-fi / distorted Musique Concrète techniques (the first piece alone consists of ten tape-transformed piano parts and the ambience of a bowling alley). For early 70s Hollywood film-score material, this stuff is pretty damn far out ... most of it sounds like a more free/European take on the Patrick Gleeson collabs on Herbie Hancock’s “Sextant”, other parts sound like the weird Finnish jerry-rigged electronics of Erkki Kurreniemi or even the more far-out segments on the first two Kluster records.
No matter how you slice it, this is an important set; rife with sound-research oriented takes that situate it well within the Creel Pone canon.