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Herbie Mann - London Underground (1974/2000) [Latin Jazz, Crossover Jazz]; FLAC (image+.cue)

Latin, Afro-Beat, Afro-Cuban, Klezmer Jazz, Tango Nuevo, Bossa Nova
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Mike1985
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Herbie Mann - London Underground (1974/2000) [Latin Jazz, Crossover Jazz]; FLAC (image+.cue)

Unread postby Mike1985 » 18 Jan 2023, 09:31


Artist: Herbie Mann
Album: London Underground
Genre: Latin Jazz, Crossover Jazz
Label: Atlantic / Wounded Bird Records
Released: 1974
Quality: FLAC (image+.cue)
Tracklist:
  1. Bitch (Mick Jagger/Keith Richard) 8:21
  2. Something In The Air (John Keen) 3:34
  3. Layla (Eric Clapton/Jim Gordon) 8:08
  4. Spin Ball (Paddy Kingsland) 1:57
  5. Mellow Yellow (Donovan Leich) 3:15
  6. A Whiter Shade Of Pale (Keith Reed/Gary Brooker) 4:46
  7. Memphis Spoon Bread & Dover Sole (Herbie Mann) 3:50
  8. Paper Sun (Steve Winwood/Jim Capaldi) 6:41
  9. You Never Give Me Your Money (John Lennon/Paul McCartney) 4:04

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    Personnel:
  • Herbie Mann (Flutes)
  • Mick Taylor (Guitar) - 1-3,6,7
  • Albert Lee (Guitar)
  • Pat Rebillot (Keyboards)
  • Fuzzy Samuels (Bass) - 1-4,6-8
  • Aynsley Dunbar (Drums) - 1,3-5,7,8
  • Ian McDonald (Alto Saxophone) - 1
  • Robby McIntosh (Drums) - 2,6
  • Stephane Grapelli (Violin) - 5
  • Al Gorry (Bass) - 5
  • Armen Halburian (Percussion) - 8

During the 1960s and '70s, Herbie Mann continually searched for new playing contexts in which to place his flute. In December 1973, he traveled to London for five days of recording with a group of British rock musicians. The result was London Underground, an album tilted much more in a rock direction than the soul and R&B-drenched recordings he had been making for the previous five years. Highlights on this album include the Rolling Stones' "Bitch" (then-Stone Mick Taylor played guitar on this album), Thunderclap Newman's "Something in the Air," and "Paper Sun," from the Traffic canon. The real highlight, however, came about with the addition of Stephane Grappelli on the Donovan pop hit "Mellow Yellow." With guitarist Albert Lee adopting a Django Reinhardt stance, the cut is reminiscent of the old Hot Club of France recordings in the '30s. There are a couple of clunkers here ("Layla" doesn't work), but for fans of late-'60s/early-'70s rock, not a bad ride.
review by Jim Newsom

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