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Joshua Redman - Where Are We (2023) [Post-Bop, Contemporary Jazz]; FLAC (tracks+.cue)

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Mike1985
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Joshua Redman - Where Are We (2023) [Post-Bop, Contemporary Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 08 Nov 2023, 07:58


Artist: Joshua Redman feat. Gabrielle Cavassa
Album: Where Are We
Genre: Post-Bop, Contemporary Jazz
Label: Blue Note Records
Released: 2023
Quality: FLAC (tracks+.cue)
Tracklist:
  1. After Minneapolis (Face Toward Mo[u]rning) (Redman-Guthrie) - 7:44
  2. Streets of Philadelphia (Springsteen) - 5:21
  3. Chicago Blues (Basie-Rushing-Stevens) - 4:54
  4. Baltimore (Kahane) - 5:38
  5. By the Time I Get to Phoenix (Webb) - 4:41
  6. Do You Know What It Means to Miss New Orleans? (DeLange-Alter) - 5:06
  7. Manhattan (Hart-Rodgers) - 3:56
  8. My Heart in San Francisco (Holiday) (Cross-Cory-Redman-Monk) - 3:14
  9. That's New England (Ives-Sinclair-Redman) - 4:48
  10. Alabama (Intro) (Coltrane) - 0:17
  11. Stars Fell on Alabama (Perkins-Parish) - 1:56
  12. Alabama (Coltrane) - 7:54
  13. Where Are You? (Adamson-McHugh) - 5:11

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    Personnel:
  • Joshua Redman - saxophone
  • Gabrielle Cavassa - vocals, guitar (#13)
  • Aaron Parks - piano
  • Joe Sanders - bass
  • Brian Blade - drums
    with special guests:
  • Kurt Rosenwinkel (#2), Peter Bernstein (#7) - guitar
  • Joel Ross - vibes (#3)
  • Nicholas Payton - trumpet (#6)

Joshua Redman makes his Blue Note debut with his nuanced 2023 travelog where are we. Along with being his first studio album for the storied jazz label (and his 16th overall), where are we is also his first primarily vocal-oriented production, featuring singer Gabrielle Cavassa. Also joining him is pianist Aaron Parks, bassist Joe Sanders, and drummer Brian Blade. Vocally, the California-born/New Orleans-based Cavassa has a warm sound that bridges the gap between the relaxed style of alt pop artists like Billie Eilish with jazz and R&B luminaries like Billie Holiday and Phyllis Hyman. She fits nicely alongside Redman, whose own burnished tone has always evinced a vocal-like quality. There's a sense throughout the album that Redman is pulling songs from an array of influences. Most emblematic of this broad palette is "Chicago Blues," a heady cross-stitch of Count Basie's "Goin' to Chicago" and indie singer/songwriter Sufjan Stevens' "Chicago" that also features Chicago-bred vibraphonist Joel Ross. Redman returns to the hometown concept throughout the album, bringing along several special guests who each play a song associated with the place they grew up. Crescent City-born trumpeter Nicholas Payton jumps on board for a boldly reharmonized take on "Do You Know What It Means," while guitarist Kurt Rosenwinkel sprinkles his fusion-influenced lines on a convincingly reworked rendition of Bruce Springsteen's "Streets of Philadelphia." We also get New York guitarist Peter Bernstein for an urbane and swinging take on the Richard Rodgers and Lorenz Hart standard "Manhattan." Elsewhere, Cavassa settles into warm readings of "By the Time I Get to Phoenix," "That's New England," and "Stars Fell on Alabama," all of which bring to mind the relaxed, '50s jazz of singers like June Christy, albeit with a modern creative jazz and classical-inflected artfulness that longtime Redman fans will be familiar with.
Review by Matt Collar

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