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AALY Trio & Ken Vandermark - Hidden in the Stomach (1997) [Avant-Garde Jazz, Free Jazz]; FLAC (tracks+.cue)

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AALY Trio & Ken Vandermark - Hidden in the Stomach (1997) [Avant-Garde Jazz, Free Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 21 Dec 2023, 20:12

Artist: AALY Trio & Ken Vandermark
Album: Hidden in the Stomach
Genre: Avant-Garde Jazz, Free Jazz
Label: Silkheart
Released: 1997
Quality: FLAC (tracks+.cue)
  1. Structure a la Malle (Gustafsson) - 13:34
  2. Why I Don't Go Back (Vandermark) - 10:15
  3. Song for Che (Haden) - 9:01
  4. Unknown Title (Vandermark) - 8:28
  5. Albumblatt Again (AALY Trio-Vandermark) - 1:48
  6. Ghosts/Spirits (Ayler) - 11:56


  • Mats Gustafsson - tenor saxophone, baritone saxophone (right channel)
  • Ken Vandermark - tenor saxophone, clarinet, bass-clarinet (left channel)
  • Peter Janson - bass
  • Kjell Nordeson - drums, percussion

The AALY Trio, a Swedish band made up of reedmaster Mats Gustafsson, bassist Peter Janson, and percussionist Kjell Nordeson, are joined here by Chicagoan Ken Vandermark for a rich, muscular free jazz outing. The two covers included give a good idea of the sonic roots of this group: Charlie Haden's classic "Song for Che" and a medley of Albert Ayler's "Ghosts" and "Spirits." The playing is often turbulent and roiling, but never wanders so far afield as to become divorced from the structure of the compositions, which tends to be blues based or even noir-ish. Gustafsson limits himself to tenor and baritone saxes for this date: deep, and full-throated on his "Structure a la Malle" and moody and wistful on Vandermark's "Why I Don't Go Back." Vandermark, on tenor sax, clarinet, and bass clarinet, is an ideal foil, matching him in pure ferocity and inventiveness, but reining in the proceedings when need be. Special mention must be made of Peter Janson, an extraordinary bassist with a warm, thick tone who appears to have listened closely to Haden. The varied and sensitive support provided by Janson and Nordeson are crucial to the success of this fine recording.
Review by Brian Olewnick

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