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Ramsey Lewis - The Beatles Songbook (The Saturday Salon Series, Vol. 1) (2022) [Crossover Jazz]; FLAC (tracks+.cue)

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Mike1985
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Ramsey Lewis - The Beatles Songbook (The Saturday Salon Series, Vol. 1) (2022) [Crossover Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 04 Jan 2024, 09:59


Artist: Ramsey Lewis
Album: The Beatles Songbook (The Saturday Salon Series, Vol. 1)
Genre: Crossover Jazz, Piano Jazz
Label: Steele Records
Released: 2022
Quality: FLAC (tracks+.cue)
Tracklist:
  1. Here, There and Everywhere (4:09)
  2. And I Love Her (4:11)
  3. Hey Jude (3:47)
  4. Blackbird (1:58)
  5. Imagine (2:45)
  6. Hard Day's Night (4:03)
  7. Yesterday (1:59)
  8. Rocky Raccoon (2:11)
  9. Michelle (4:06)
  10. Golden Slumbers (3:09)
  11. The Long and Winding Road (3:25)
  12. Let It Be (1:39)

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The late, legendary pianist Ramsey Lewis offers an intimate, familiar affair with his solo piano recording The Beatles Songbook: The Saturday Salon Series, Volume One, to be released January 6 on Steele Records. This selection of tunes by the iconic songwriting duo of John Lennon and Paul McCartney, approved for release by Lewis, is also a surprising DIY project, created during livestreamed sessions in Lewis’s own Chicago home.

Lewis, of course, is no stranger to covering of postwar pop music. He had a smash 1965 hit with his cover of Dobie Gray’s “The In Crowd,” which he followed up with a successful version of “Hang on Sloopy.” He has even assayed the Beatles’ catalog before, scoring a minor hit with “A Hard Day’s Night” and even releasing Mother Nature’s Son, an homage to the Beatles’ White Album, in 1968.

He was a latecomer, however, to unaccompanied piano performance. Until recent years, Lewis had almost never performed as a soloist. But the COVID-19 pandemic made it impossible to perform any other way, and during the lockdowns Lewis initiated a series of monthly webcasts called “The Saturday Salon.” Always an artist with a populist touch, Lewis included the Beatles’ songs in his webcasts because it was music that, like his own, had demonstrated universal appeal.

“They have a catalog of songs that can stand up as standards that are fun to play and fun to solo on,” he said. “Their music has been recorded by symphonies and orchestras, rock bands, jazz bands. I don’t know any other pop act whose music has been recorded across the board like this.”
Even with their exhaustive coverage, Lewis is able to unlock new secrets and breathe new life into the tunes. His “And I Love Her” explores the possibilities of both the song’s harmonies and its famous four-note riff. “Rocky Raccoon” gets a beautiful reharmonization. Lewis plays up the gospel roots of “Hey Jude,” and in the ballads “Blackbird” and “Golden Slumbers” he finds previously unknown reservoirs of the blues.

Lifted directly from the 2020 livestream audio, The Beatles Songbook sounds like the home recording it is. But that sound is a feature, not a bug: It amplifies the intimacy of the performance, as if we were hearing a message from a friend, and reminds us that to the end, Lewis was able to work in any circumstances and create great art.

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