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David Helbock & Julia Hofer - Faces of Night (2025) [Modern Creative, Fusion, Contemporary Jazz]; FLAC (tracks+.cue)

Chamber Jazz, Improvised Music, Avant-Garde Crossover
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Mike1985
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David Helbock & Julia Hofer - Faces of Night (2025) [Modern Creative, Fusion, Contemporary Jazz]; FLAC (tracks+.cue)

Unread postby Mike1985 » 21 Feb 2026, 19:11


Artist: David Helbock & Julia Hofer
Album: Faces of Night
Genre: Modern Creative, Fusion, Contemporary Jazz
Label: ACT Music
Released: 2025
Quality: FLAC (tracks+.cue)
Tracklist:
01. Woman's Dance - Version 1 (Gurdjieff-de Hartmann) - 3:04
02. Dancing to Another Space (Helbock) - 2:20
03. Dark Soul (Helbock) - 4:18
04. Purple Rain (Prince) - 4:04
05. Night Dances (Hofer) - 4:49
06. Song of a Dream (Helbock) - 4:33
07. Freedom Jazz Dance (Harris) - 3:06
08. Clara's Romance (Helbock) - 4:56
09. Theme from Schumann's Piano Concerto (Schumann) - 4:35
10. Sexy M.F. (Prince) - 2:41
11. 'Round Midnight (Monk) - 5:33
12. Woman's Dance - Version 2 (Gurdjieff-de Hartmann) - 2:45

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Personnel:
David Helbock - piano
Julia Hofer - electric bass, fretless bass, cello
with guests:
Lorenz Raab - flugelhorn (#6,9)
Mahan Mirarab - guitar (#2,8,10,12)
Veronika Harcsa - vocals (#7,11)

Pianist David Helbock and bassist/cellist Julia Hofer have things in common: a playful curiosity combined with the urge to try out new things and to have fun. Both of these musicians are also perfectionists...and natural communicators...and that’s why their musical combination works so well. “I was looking for a new duo partner,” says David Helbock, "because although I am completely passionate about my ‘Austrian Syndicate’ project, it's a really tricky thing to put together, a large band...lots of keyboards. Together with ACT CEO and producer Andreas Brandis, the idea of an acoustic duo reduced to its emotional essence was finally born - a format in which musical communication works more directly than in any other line-up. And I quickly came across Julia Hofer. What particularly attracted me to her was her versatility - and the wealth of possibilities that this opens up. I was immediately fascinated by her energy from the very first rehearsal. You can tell she enjoys the music from the very first note she plays and that motivated me enormously and is also very infectious."

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